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Openting remarks by Michel Bettane


On the occasion of the VDP-Frühjahrs-Weinbörse 2003 in Mainz

Michel Bettane, Chefredakteur „La Revue du vin de France“

"First of all I want to apologize for giving this speech in English (which will be more widely understood than my native French) Then I give sincere thanks to the V.D.P association for inviting a french  journalist as a guest speaker in such occasion, even if  for the moment  there is no market  or an extremely limited market  for german wines in France . As you know well it was completely the opposite in the past centuries when the Mosel and Rhine valley wines were very popular. For many generations of poets, musicians, artists they were the symbol of wine and large circles of consumers every day in Paris restaurants drank immoderate amount of Riesling in their famous slim bottle . Infortunately the different wars between our two peoples did end the consumption of such well loved  wines and the fashion for them never revived since. Nevertheless  I think  the moment is well chosen for a change and I will try to clear up why I am optimistic for the future.

First there is an evident revival of fashion for good german Riesling or pinot blanc in such important markets as America or Great Britain. This can be explained by correct price and very good quality. German wines even the rarest of them are not speculative and this is their good luck. Not only they please to discriminative people but they are more and more often acknowledged as fairly priced for their quality. I may add that their quality largely improved in the ten last years with wines more precise, truer to their origin and more immediately pleasant with their incredibly pure aromas and fruit. Japonese and asian consumers so sensitive to refinement and style share the same love for them and I cannot imagine any argument why it would not be the same for other countries. On the contrary numerous changes of gastronomic habits in a new generation of consumers are very convenient to modern german wines. They tend towards white wines because they are easier to drink, lighter in alcohol, more refreshing with a more pronounced acidity, more fruity and more convenient to fusion “food” (food more spicy, often salted/sugared, with asian , American and mediterranéean influence) specially when they are slightly of- dry. They drink wine for their own pleasure and not as before as an obligatory part of the every day diet. As they are more and more often aware of the danger of industrial food for their own health they will be attracted by wines made in small quantities by individual growers they may in case of need trace back. They will appreciate wines made from a specific place with an individual flavour which is the sign and the warrant of their origin. All this is in complete harmony with the philosophy and nature of production of the members of your association. Even if the labels are difficult to read and memorize (some improvements in this matter would be welcomed) the most imaginative among this new generation will find playful to learn the names and special features of the best vineyards when they are so bored with the lack of poetry or mystery of most of industrial drinks. And they will easily understand they have to pay a higher price (but not of course an exaggerated one) for all the history, the care , the refinement of flavour which is behind a wine from a great origin.

For all these reasons the case of actual France is most interesting. The new generation is free from any prejudice against german names or origins but the market for german wines does not exist. Very few people even know great wines are made there. One thousand at most, often linked by family or neighbouring to german wine growers drink one or two bottles a year for special occasions. No more than ten or twelve references are regularly available in the best wine shops and perhaps for or five restaurants list a german wine. But I never conducted or attended a tasting of german wines where the best of them were not admired for their balance and style. I remember one very special one where the judges , members of the Rouge et le blanc panel of tasters, some of the most critical French connoisseurs, gave the highest marks in their life to marvellous Mosel and Nahe Rieslings. Armin Diel can remember you the occasion because he and his wines were present!

My own history is an interesting exemple of what is possible in the future for a better evaluation of your wines in my country. My father was a French officer and you can imagine with no special fondness for a german label. But he loved and drank very often Alsacian wines as they were very popular in the fifties and sixties. I was not surprised by the peculiar taste of german Rieslings when I first encountered them in England as a young student in Oxford. The famous “hocks” were highly prised among connoisseurs and I too was impressed by their nobility of taste. I did for german wines what I did for burgundy ones at the same period, reading everything I could find about their history and their present state. I remember being specially fascinated by the comments of the late Alexis Lichine in his famous Wines of the world  book. I understood immediately the similarity between Rheingau and Burgundy in matter of philosophy of wine born from common origin and history: decisiveness of terroir, individuality of taste of each “lage” , complexity of labelling because of that (and also because of the clumsiness of the 1971  law, just brand new! ). As soon as it was possible to buy directly wines from the source without paying stupid taxes  I began a small collection of the best Rieslings I am very proud of. My guess is therefore a more important market is possible in France. I do not imagine an immediate popularity that may be compared with XIXe century one or an issue for the lowest wines or the cheapest ones as we offer for Italian , Spanish or Portuguese production. It will be a wine lover fashion for the best growths , specially if collectors know how well for instance the new type of “grosse lage” dry Riesling is suited to fish or lobster dishes (and to my opinion fare more suited than most oaked French or foreign chardonnays). But a good issue will be impossible if german growers themselves make no efforts for a better recognition . A simple strategy is easy to consider. 
 
Here are the main directions and the easiest for a beginning

  1. It is necessary to convince some of the best and more open minded French cooks and their sommelier new german wines are the best suited to their cooking (I am sure of that) and perhaps they will win over german ones when they are not yet aware of the same affinity. I am sure that a great amount of work is even necessary in your country since your most famous restaurants prefer often to sell to their consumers French white wines! I suggest to begin with my friends Alain Senderens and Alain Dutournier.
  2. It would be useful to associate information about german wines with more communication on the best exemples of german workmanship with cheese, organic fruits, vegetables , preserves and more generally gastronomic traditions which are fare more interesting than you imagine and nowadays more refined than before. A good shop in Paris or in any other important city where people would buy the best products or even eat some of them is a priority. 
  3. It is easy to create friendly links between French and german wine growers – specially if there is no rivalry concerning their production : Bordeaux or Rhone red wine growers would offer german wines as a first drink at home and surprise and please their clients.
  4. The most important priority is to create events and information : why not invite regularly journalists and sommeliers as Austrian do, to visit your vineyards, taste the new vintage and not only for an auction occasion where the amount of wine for sale is so few and prices extravagant. I remember the famous travel on the Rhine some years ago which coupled Red Bordeaux tastings with V.D.P members  wines. The Parisian tastings some years ago done under the supervision of german authorities in German ambassy were a complete failure because the wines presented , often from large unions from Baden region were so poor and no representative at all of the best Germany can do! The aim is not to convince supermarkets to sale low priced wines even of decent quality but to show the high level of modern premium wines.
  5. If more wines are available in the best French wine shops I am sure than more wine collectors informed by all these different actions will buy them. But there is a lot of effort for the growers to visit them and convince them to sale their wines.

My work as a wine journalist is to help as much for a better recognition of german wines in the opinion. For many years I opened the Revue du Vin de France to foreign wines, mostly wines from old European Vineyards because they belong to the same tradition as French wines. I am completely convinced that in the future with the development of European community the idea of frontier has no sense. French wine growers and consumers are beginning to be aware that they have to become partners with other countries which share the same philosophy about wine for a better protection of their common inheritance. It is requisite in the next twenty years first to resist to a new wave of industrial wines so boring and contrary to our tradition, secondly to convince young consumers our wines are more interesting and deserve to be drunk even if the authorities try to assimilate wine drinking and crime against state. Perhaps the same authorities are waiting a gesture from good quality wine producers to help them to a better prevention of alcoholism. We , wine journalists, we have to play an important part in this game: wine criticism is an act of culture which put wine on the same level as far as great wines are concerned. The best german wines are unquestionably an important part of European culture and to drink them has to be presented to all European consumers as an act of culture.
I thank you ladies and gentleman for your attention."

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